I'd like to...
you!

As i am a romantic pervert myself, i couldn' stop watching the movie whispering anxiously in my mind "this time is not porn, it's art". And is not porn, it's Alfred Kinsey in a scaled model of Newyork playin' GodMode , conducting his experiments.
John Cameron Mitchell gets the perfect place (for me) to have peace and tranquility on screen . "Shortbus - t's like the '60s -- but with less hope" .
If you like this movie, call me, maybe we'll meet, make Shortbus come true in our hometown too:D Don't forget to also watch Mitchell's "Hedwig and the Angry Inch" rock odyssey.
Posted by
Lowant
at
11:32
0
comments
Labels: Movie

Hand held camera, natural light, action scenes with all the immediacy of guided improvisation and a freak show of mad-house rebellion make for a level of energy and tension rarely seen and increasingly spectacular. Terry Gilliam meets a "Clockwork Orange." The last thing I can remember with this kind of natural look and pacing was 1984's "The Killing Fields" for which cinematographer Chris Menges received a well deserved Academy Award. This, however, is an excellence of its own. For action fans, sci-fi fans, P.D. James and Clive Owens fans, a must-see.
Posted by
Lowant
at
11:58
2
comments
Labels: Movie

Astonishing director, finally someone who really gives a fuck about the
artist's vision.
View the trailer.
Via Jobsessive
Posted by
Lowant
at
20:01
0
comments
Labels: Movie